Beyoncé unleashing her rage, reclaiming her agency, and demanding the respect of her partner through a series of boasts, threats, and ultimatums, culminating in a “final warning,” where she throws her wedding ring at the camera.
CH. 4 – APATHY
Two rows of Black women seated inside a school bus, swaying back and forth, their faces and bodies covered in Nigerian artist Laolu Senbanjo’s “The Sacred Art of the Ori.”
Left, From NPR.org, members of the Washington Freedom Riders Committee prepare to leave New York for Washington, D.C., on May 30, 1961; right, from UC Berkley News, a Montgomery bus rides nearly empty as a result of the boycotts.
Overlaid with the line “Her God was listening,” a subtle suggestion that God is silent but present for Beyoncé’s suffering, one of many glimpses of hope for redemption.Continue reading “Ch. 4 – Apathy (Sorry)”