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BLACK IS KING. A mini-series. 7 episodes released over 7 days starting Monday, January 25th. Only on Spotify.
Dissect applies its award-winning analysis to the symbols, themes, and meaning of Beyonce’s film BLACK IS KING. From Dogon masks to durags, from Moses to Mansa Musa, from Bey’s backyard to Johannesburg, and from life, death, and the spiritual spaces in between, BLACK IS KING traverses freely across time, space, and cultures to highlight their connection and showcase a greater, unified Black lineage. Through this grand celebration of the Motherland, Beyonce demonstrates the profound connection that we all have to each other in this great circle of life on planet earth.
After the wedding scenes that 3005 soundtracks in the screenplay, the script cuts to The Boy playing piano at his mansion as people start to arrive for yet another party, prompting the beginning of Act 3, the aptly-titled “Playing Around Before the Party Starts.”
The mansion is starting to get messier and messier, and apparently the cleaners have stopped showing up because they weren’t being paid. There’s trash everywhere, surfaces are sticky, and you can’t slide around on the floor. The script mourns this: “Now, dried alcohol stops you before you even get to the kitchen door. The Boy really loved sliding into the kitchen when he was a kid. It was the closest you could get to having powers.“Continue reading “Ep. 8 – The Party / No Exit”
In our first ever video analysis, we break down the 3005 music video (above).
Still in Oakland, the crew head to a hotel for the night and see a wedding happening in the lobby. The crew leaves, but The Boy stays to watch the wedding. While filming the couple dancing, an older Indian dude comes up to The Boy, a sort of “meeting with the mentor” in traditional literary structures on The Boy’s current “road of trials.”Continue reading “Ep. 7 – 3005”
In our very first analysis video, we dissect the meaning behind Childish Gambino’s iconic “3005” music video.
Inspired by our analysis of Because The Internet. Limited quantities available. Pre-order today. Ships early November.
Sweatpants, which scores two scenes in the script, will in part function as an examination of identity, context, and how and why we choose to present ourselves.Continue reading “Ep. 6 – Sweatpants”
“MetA” (from the Greek μετά-, meta-, meaning “after” or “beyond”): a prefix meaning more comprehensive or transcending.
“Telegraph Ave.” features a meta “song-within-a-song” structure and scores The Boy driving to Oakland. As “Oakland” by LLoyd transcends the car radio into the screenplay, we watch The Boy, now in the driver’s seat, symbolically taking agency over his life.Continue reading “Ep. 5 – “Telegraph Ave. (‘Oakland’ by Lloyd)” by Childish Gambino”