Ch. 3 – Anger (Don’t Hurt Yourself)

“DENIAL” RECAP

Beyoncé as first a sleeping, silent, and suppressed servant and then emerging as the powerful, life-giving goddess Oshun.

Left, her denial transitions to rage and destruction, culminating with a vicious knockout blow of the camera and then, right, Beyoncé stampeding a row of cars in a monster truck.


CH. 3 – ANGER

“Anger stirs and wakes in her…There is a sense of being in anger. A reality and presence. An awareness of worth. It is a lovely surging.”

Toni Morrison, The Bluest Eye

The Edna Karr High School marching band in streets of Algiers, a section of New Orleans also known as the 15th Ward. For nearly 150 years, this area served as the location where captive Africans were held before being sold into a lifetime of slavery.

As the murder revenge fantasy is described in poetry, the camera winds ominously down a dark stairwell to the chapter’s main setting: an underground parking garage.


Malcolm X’s Interjection

“The most disrespected person in America is the black woman. The most unprotected person in America is the black woman. The most neglected person in America is the black woman.”

Malcolm X, May 5, 1962

The words of Malcolm X at the funeral of Ronald Stokes are laid over visual portraits of everyday Black women on the streets in Louisiana. Their strength is silently yet effectively acknowledged as they stand strong, beautiful, and resilient despite their mistreatment.


Beauty, Struggle, and Strength

The black and white images of a circle of women underground, gowns tied together at the wrist, implies a shared struggle, one that binds them all. Their movements are individualized above, but inextricably linked.

Their movements go from being individual to now being in unison; their dress and unity representing the beauty and resilience Black women share.


Beyoncé’s Dominance and Aggression

Here we are confronted by Beyoncé for the first time in the chapter, shot from a low angle to show power. As she approaches the camera, it recedes further away, as if intimidated or emasculated by Beyoncé’s direct approach and confrontation.

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